When you want to add film emulation to your arsenal, be sure that your source footage is flat. Works With: Standalone Software, After Effects CC, Premiere Pro CC, Photoshop CC, Final Cut Pro X, Final Cut Pro 7, Apple Motion, DaVinci Resolve, Avid Media Composer. Let’s take a look at what Koji Advance really is from Dale Grahn himself. Dale has worked closely with Koji to develop the Koji Advance software plugin for Premiere Pro CC, Final Cut Pro X, and After Effects CC. You can see Dale’s color work in Saving Private Ryan, Gladiator, Field of Dreams, Toy Story and many more.

Is there any better source of film emulation than Dale Grahn? Dale is a legendary color timer who has worked on some of the biggest films in the history of cinema. Let’s check out the three best options available for applying film emulation. The end result gives your project the look and feel of classic film stock from Kodak or Fuji. Then once this is applied, the final grade process is completed. During the post-production process, colorists can use film emulation plugins or LUTs to enhance the source footage. At least not without help.Įnter: film emulation. But other than the ARRI ALEXA, no digital camera is going to effectively recreate that film look.

That’s why many professionals use digital cameras. Unfortunately, using an actual 35mm cinema camera just isn’t cost effective. It’s hard to get away from this because the “film” look is engrained within us. No matter what project you’re working on, at some point you or your client is going to want that production to have more of a “film” look to it. Do you want your project to have that “classic cinema” analog look to it? Then check out these options for film emulation LUTs.

Color finale vs filmconvert